I think this picture is becoming one of my favourites, in fact I’m sure it is. It first appeared on my blog Wanstead Daily Photo as the post for Easter Sunday. It is also probably one of the quickest pictures that I have ever taken. I was looking for an Easter photograph that involved a church but wasn’t to obvious so I headed off to St Mary the Virgin in Overton Drive, Wanstead. This is a lovely church designed by the architect Thomas Hardwick in the late 18th century. The foundation stone was laid in 1887 some 70 foot north of the original medieval church and today the church still retains the original 1790 pews.
The churchyard lies behind the church, it’s one of my favourite places, and as I wandered along one or the paths it passed under the the branches of a low hanging tree with new growth on them. The contrast struck me immediately between the new shoots on the branch and the old gravestones behind, I knew I had a picture.
I knew however that I needed some separation between the two, because the branch was only about two foot from the camera and the gravestones were much further it would be easy to throw the background out of focus. I chose an aperture of f2.7 that combined with a focal length of around 50mm would give me a shallow depth of field. I focused on the shoots of the overhanging branch and framed the churchyard behind them, I took two pictures in quick succession, one upright and one landscape, the landscape composition won by a mile. The whole process took under a minute, I concentrated thinking of three things, light, composition and depth of field.
So I started with a germ of an idea not really knowing where it would lead me and just by looking and a little thinking I ended up with a favourite. I thinks it’s quite subtle, not to obvious but it conveys what I was trying to illustrate for Easter Sunday..
Technical stuff: The camera was a Leica D Lux type 109. The shutter speed was 1/100th of a second and the aperture was F2.7 which gave me that lovely out of focus background. The ISO was 200 and the picture style was set to vivid. The focal length was appx 50mm equivalent on 35mm format.