Tag Archives: Photography

Battered…

World © Geoff Wilkinson - All rights reserved

World © Geoff Wilkinson – All rights reserved

….and I’m not talking about fish. I have a pair of very old cameras, old by digital standards anyway. They are Nikon F80’s dating from around 2001, see what I mean by old. They have gathered a lot of air miles and have had a lot of film put through them. I don’t think this model was ever thought of as ‘professional’ but then again I have rarely used big heavy professional cameras.

The point of this post is that after 14 years both still work perfectly, for anyone starting out and wanting to use film they would be great. Interesting I have been looking on Amazon and secondhand they still fetch between £55 and £125 which surprised me.

The point I wanted to make was that the exterior appearance is still perfect. I have no idea what they make modern camera bodies out of, I expect I could find out with a little research, but this pair of bodies look pristine. When I was a staff photographer on the Daily Mail in the 60’s I had the original Nikon F bodies in black finish. It was amazing how quickly the black finish wore off, got scratched and scuffed in the day to day hurly burly of Fleet Street. Within a few months they looked very sad and battered, mechanically of course they worked perfectly and having a battered Nikon body with brass shining through the black was the height of professionalism, or so I thought at the time.

Have a look at my F80’s at the top of the page and then click here to see Elliott Erwitt’s Leica M3 from the 60’s and you will understand what I am talking about…which finish do you prefer..

As a point of interest you can now buy a brand new Leica, the Leica MP Correspondent designed by the singer and Leica user Lenny Kravitz. It arrives having had ‘an elaborate wearing process completely by hand has carefully rubbed, scuffed and scratched the black enamel finish away in several places on both the camera and lens to let the bright brass surface shine through’ The nostalgia almost brings a tear to my eyes but be prepared to pay $24,500 with lens for this limited edition beauty, you can click here to have a look…ah the price of the good old days…

Darren Gatcum is an Essex photographer, I first met him when he attended one of my photography workshops. Although a semi-pro photographer at the moment Darren has gone from strength to strength in a short period of time. He has photographed football, golf, ice hockey and many other sports, plus many music events.

Below is one of his photographs and the story behind it.

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World © Darren Gatcum- All rights reserved

Valiant FC was in the West Essex Sunday Charity Cup Final against CFC Flamengo. I was asked by Valiant FC to photograph the cup final at Thurrock FC’s stadium.

I positioned myself near the goal as that is where the action tends to be in football and I was not disappointed on this occasion.

I like this photo because it captures the action and the determination of the players. You have the number 2 defender from Valiant FC sliding into tackle the striker from Flamengo CFC with the dirt flying up from the ground. The sheer determination of the striker can be seen in his face as he leaps over the number 2 defender.

I was shooting with a Canon 5D3. To fill the frame you need a long lens so I was using a 300mm f/2.8 lens. I used manual mode because I like to have full control over all my camera settings. In order to isolate the players from the background I was shooting at f/2.8 which is the standard aperture for shooting football. To freeze the players I set my shutter speed at 1/1000 which is the minimum shutter speed for shooting football. The match was under stadium lights which were awful. As a result, I had to increase my ISO to 8000 to get the correct exposure. High ISOs are no longer a problem with modern DSLRs.

The final score was 2-2 and the match was decided 7-6 on penalties with Valiant FC coming out the winners.

You can contact Darren via his Twitter account at @DarrenGatcum.

A simpler and lighter life..

I spent much of my life travelling all over the world with up to twelve or thirteen cases of camera equipment, I have now decided that it’s time for a simpler and definitely lighter life. Who were the main benefactors of all this equipment, well I expect the subjects were because I had everything to hand, the excess baggage guys and girls at various airlines certainly  and of course my chiropractor. In the days of film, remember film, the cases roughly broke down to 1 big Lightweight case full of medium format Mamiya RZ camera bodies, lenses from 50mm to 360mm, polaroid backs, prisms, motor drives etc. 1 big Tamarac shoulder bag full of 35mm Nikon camera bodies and lenses from 24mm to 200mm. Then of course there’s all the other stuff, a metal case with filters, two makes both Lee and Cokin, another metal case full of film, daylight film 100 ISO, 400 ISO, artificial light film all in both 120 and 35mm and Polaroid instant film. Oh and of course a Fuji Instant camera for quick left to right captions. Two cases of Elinchrom lights packed in Elinchroms own fine cases, a bag full of stands for the lights, a bag full of modifiers, umbrellas, soft boxes etc for the lights. Another bag with a heavy Manfrotto tripod with spare plates naturally. How many’s that so far? 9 I think. Well going on, a metal case for miscellaneous bits and pieces like extension cables, clamps, hooks, gaffer tape and anything else you can think of. Then of course there may well be props, backgrounds or specific clothes for the subject and finally your own personal stuff. You can understand why the airlines were so pleased to see us with all that excess baggage to be paid for.

Several of the bags have been ditched thanks to the change to digital cameras. No longer do I need both a medium format and 35mm cameras, the filters have been cut down drastically, all of the warming and cooling filters are gone as I can do that in the camera. The film case is obviously gone so now I’m fine tuning what’s left. Until recently I had been carrying a very big, excellent and beautiful Lowpro case (well it was to me anyway), this contained 2 Nikon digital bodies about 8  lenses a Nikon speed light and other camera related parphanalia. Then things changed.

Because I take a picture nearly every day to go on my Wanstead Daily Photo blog I needed something small and light to carry around, a camera that would fit in my pocket. After a lot of research, ploughing through magazines and trawling the internet I decided on the Leica D Lux 6. I went along to Red Dot Cameras in Old Street, London to try one out. Ivor is the owner and a Leica enthusiast he  is one of the most knowledgable Leica people around. The camera impressed me, small, light , pocketable and I liked the styling I was sold and took the plunge. The camera proved brilliant, exactly what I need for my daily blog, I was more than happy. One day it occurred to me that I had never made a print from it, jumping in at the deep end and rather than just do an A4 I decided to make an A2 size print, I thought that would really show up any faults. We use Epson printers and  for this particular print I used the Epson Stylus Pro 3880. The quality was fantastic, more than I could have hope for from a camera with a relatively small sensor. Long story short, I was so impressed with the print quality I used  the camera to photograph two covers for The Green magazine.  When the V Lux type 114 came out with it’s much bigger sensor I couldn’t resist and bought one, again I am truly delighted with it. So much so It has become a bit of a workhorse, used in the studio, on location, for portraits and also for most of my stock photography. I will be talking about both the D Lux and the V Lux in more detail at a later date.

So for now this is my day to day camera bag setup. A small LowPro Micro Trekker 200 backpack, inside the Leica V Lux type 114, a Leica D Lux type 109, a Nikon 50mm F1.4 lens and Nikon D7000 with a 10/24mm wide angle zoom lens. There is also a Nikon SB900 Speedlight and various remotes etc, this combination really works well for me, I have focal lengths from 15mm to 400mm (35mm equivalent) all in one small bag. If I want something light and inconspicuous, perhaps for street photography or just to carry all the time I use the D Lux type 109, for studio, stock and really everything else I use the V Lux type 114. The Nikon comes into it’s own with the 10/24mm wide angle zoom, it’s a lens I love for interiors and where space is really tight, you can achieve some really dramatic perspectives with it. The Nikon 50mm f1.4 I normally use wide open at f1.4 for throwing the background really out of focus. All in all it’s a kit I am very happy with now I just have to work on the lights…

A germ of and idea…

Branches overhanging in a churchyardWorld © Geoff Wilkinson – All rights reserved

I think this picture is becoming one of my favourites,  in fact I’m sure it is. It first appeared on my blog Wanstead Daily Photo as the post for Easter Sunday. It is also probably one of the quickest pictures that I have ever taken. I was looking for an Easter photograph that involved a church but wasn’t to obvious so I headed off to St Mary the Virgin in Overton Drive, Wanstead. This is a lovely church designed by the architect Thomas Hardwick in the late 18th century. The foundation stone was laid in 1887 some 70 foot north of the original medieval church and today the church still retains the original 1790 pews.

The churchyard lies behind the church, it’s one of my favourite places, and as I wandered along one or the paths it passed under the the branches of a low hanging tree with new growth on them. The contrast  struck me immediately  between the new shoots on the branch and the old gravestones behind, I knew I had a picture.

I knew however that I needed some separation between the two, because the branch was only about two foot from the camera and the gravestones were much further it would be easy to throw the background out of focus. I chose an aperture of f2.7 that combined with a focal length of around 50mm would give me a shallow depth of field. I focused on the shoots of the overhanging branch and framed the churchyard behind them, I took two pictures in quick succession, one upright and one landscape, the landscape composition won by a mile. The whole process took under a minute, I  concentrated thinking of three things, light, composition and depth of field.

So I started with a germ of an idea not really knowing where it would lead me and just by looking and a little thinking I ended up with a favourite. I thinks it’s quite subtle, not to obvious but it conveys what I was trying to illustrate for Easter Sunday..

 

Technical stuff: The camera was a Leica D Lux type 109. The shutter speed was 1/100th of a second and the aperture was F2.7 which gave me that lovely out of focus background. The ISO was 200 and the picture style was set to vivid. The focal length was appx 50mm equivalent on 35mm format.

 

 

Seize the moment !

Evening traffic on Wanstead High Street

Evening traffic on Wanstead High Street

Always carry a camera, there’s really no excuse these days. Approximately 93% of the UK population have a mobile ‘phone and there’s every chance most of those ‘phones have a camera. It’s said that the best camera in the world is the one you have with you at the time, so your ‘phone is fine. If you are serious about your photography there’s really no excuse.

I took this picture one evening on my way home from the Gallery. It’s actually taken from a car, I wasn’t driving, and shot through the windscreen. It first appeared on my blog Wanstead Daily Photo and received comment from both France and America, here’s what I wrote at the time.

“I shot this picture yesterday evening on my way home from the Gallery. I was in stationary traffic near The George pub.No particular reason for taking the picture except that I was really  drawn by the colours, lights and reflections of the traffic, it made me think of chaos. It was just a gut feeling. One of those moments in photography when it all comes together in front of you with very little time to think so you just react. As I often say ‘not everyones cup of tea but I like it…’

I am always telling student or anyone who will listen for that matter “always think your picture through’. Decide on the angle, the lens, the light, landscape or upright, I have books filled with notes, sketches and diagrams for every shoot, it’s kind of one of my rules. Rules however are made to be broken and this is a prime example where I just went with my gut feeling…

Most importantly you will see from the technical info below that I used my  Leica for this picture but I could just as easily used my ‘phone!

Technical info: Leica D Lux 6 camera with an ISO of 200. The shutter speed was 1/5th of a second handheld and the aperture was f2.3. The focal length was appx 75mm (35mm equivalent). Normally photographing with a shutter speed of 1/5th of a second would produce camera shake, however with a little care and the D Lux’s built in VR it was manageable, it’s always worth trying..

Print size ?

A2 photographic print coming off Epson printer

A2 photographic print coming off Epson printer

We have been making prints this afternoon to go on the Gallery wall. I’ve come to the conclusion that A2 in my favourite size, it’s big enough to look impressive but not too big to be a problem with where to hang. Hopefully by the end of the weekend they will all be finished and on the wall. As you can see from the picture we use Apple computers and Epson printers, we think it’s a great combination and produces lovely print. If you are not to far away you are more than welcome to pop in and have a look at the final prints on the wall. What’s your favourite size of print? let me know…

Technical info: nor very much I’m afraid, I shot this picture with my i.pad and processed the image with Snapseed

I’m back…

As Arnie said in the film Terminator ‘I’ll be back” and then in Kindergarten Cop ‘I’m back’…

A bit like me really, after a year’s absence, I can’t believe it’s been that much time, I’m back on the photography blog. Sorry I’ve been away for so long. As some of you will know part of my time has been taken up with the Gallery where there is now a new craft shop, Craft Boutique 84, as well as everything else that goes on photographically, generally it’s just been really busy. The Wanstead Daily Photo goes from strength to strength, as I look at  todays figures I see readers from the United States, France, Canada, Australia, Germany, India, South Korea, Lebanon and of course the UK. I am amazed how what was started as a very local blog for the immediate community is now read worldwide. I have taken lots of pictures in the last year, some for editorial assignments, some for commercial jobs and some just for me, I’ll bring you up to date on the thinking behind them and how they were done. I’m in the middle of a big rethink with regard to cameras, tripods, filters and equipment generally and you will get my thinking on that. The workshops that have been on hold will start again next month, although I have been doing lots of 1 to 1’s, some will be walks others will be studio based. I’ll be tidying up this site, paring it down and generally keeping it a lot tidier. So we’re off running again, thank you all for your patience and the new posts will start in just a few days so please check back in a day or so…

Tip of the week – getting closer

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World © Geoff Wilkinson – All rights reserved

Interesting stuff last weekend. If you follow me on twitter @GeoffWilkinson7, you will know that while the sun was shining outside and people were sunbathing and barbecuing, I was in my little studio crashing out dozens of still life’s. Actually it was quite a challenging project, lots of things to be photographed ranging from very small to about A4 size. With so many to do how to go about it with the minimum of fuss and lighting changes ? Continue reading